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Thread Archives:
http://suptg.thisisnotatrueending.com/archive.html?searchall=Mobile+x+Destiny

IRC on rizon @ #mxd

Last time on Mobile X Destiny, Anon-kun's plan went into action. Leading the group, which consisted of Crossfire, Tadashi, Roslyn, and Miyuki, the five of them stormed the garage where Chiyo was last known to be held. After splitting up, Anon-kun and Roslyn infiltrated the garage, and eventually came across a security panel with a sleeping guard. In an attempt to preserve their presence, Anon-kun slashed the man's throat, killing him. After that, he used the security console to find where Chiyo was being held. The pair made their way to that side of the building and came across a girl with silver hair: Tempest. Roslyn drew the woman away, giving Anon-kun the chance to meet with Chiyo. Chiyo seemed different, and was acting strangely, prompting Anon-kun's metaphorical face-slap-response, which brought the girl back to reality. After growing past that conflict, the two of them grouped back up with Miyuki, Roslyn, Crossfire, and Tadashi, and the party fled. As they neared Crossfire's vehicle, they were stopped by Ramius. He and Crossfire then crossed paths while Tadashi led the group back to the car, and they then made their way back for a quick getaway, where Crossifre dealt a swift strike to Ramius' junk in escape.
>>
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Rolled 8

>>20923531
>>
Let's have some fun this thread. We deserve the R&R.
>>
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Things escalated quickly. It was crazy when you stopped to think about it, really, but that's eclipsed by the fact that you're holding a pair of dog tags in your hand. Where did you...? "Oh... Shit." That's when it hits you. You stabbed a man in the neck, killed him without a thought, and moved on. You can't wrap your head around it, and it bothers you immensely. What came over you to do that? You frown and close your eyes, taking a deep breath. You feel a hand over yours, and you look up to see Chiyo sitting there, looking at you with a gentle look.

"Are you okay, Anon-kun?" she asks. That's right... She doesn't know what you ended up doing to get to her. You can't exactly fault her for that. "You can tell me if something is wrong."

"I..." Do you really want to bring this up right now, in light of your success?

[ ] "I killed a man."
[ ] "It's nothing."
[ ] "...I was wondering if you were alright."
>>
Rolled 4

[ ] "It's nothing."

It was nothing, just like how the slime he killed was nothing.
>>
Rolled 14

[x] I killed a man.

Something tells me that this may be a bit too honest, but I'll go with this for now.
>>
>>20923703
[ ] "I killed a man."
Stupidly honest is Anon.
>>
>>20923703
[X] "I killed a man."

It wasn't even the wrong thing to do, if I went and did it all over again I'd do the same thing. But it's a strange feeling.
>>
Rolled 1

>>20923703
>[ ] "I killed a man."
>>
Rolled 14

[X] "I killed a man."
>>
Rolled 10

>>20923763
Forgot mah d20.
>>
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"I... I killed a man," you say quietly. "It's... it's a strange feeling, trying to come to terms with it." You feel her hand stroke yours, and she moves closer to you. You look up at her, and she has a very protective look about her as she gazes at you.

"I understand, Anon-kun. It's hard." She smiles softly. "The fact you came for me..." She starts to tear up. "The fact you killed someone to try and get me..." She closes her eyes and dips her head. "I... I don't want you to ever feel the need to do that again, Anon-kun." She looks back into your eyes, and you see a fiery passion that wasn't there before. "I... I love you. I love you, and I swear I'll protect you from now on." She looks determined to make good on that promise, and you aren't sure if you're flattered or... frightened.

[ ] "Thank you, Chiyo."
[ ] "I love you, too."
[ ] Look for someone to bail you out of this situation
>>
Rolled 4

[ ] "Thank you, Chiyo."

We're on a "not replying with I love you" roll right now, why ruin it?
>>
Rolled 13

[x] "I love you, too."
>>
Rolled 3

>>20924036
>[ ] "Thank you, Chiyo."
>>
Rolled 5

>>20924036
>[ ] "I love you, too."
Already said it to Sayuri. Plus, the last time we didn't show affection back, it turned out badly with Miyuki.
>>
Rolled 2

>>20924036
My first choice would be to say "I know" and pull a Han Solo. Otherwise

[X] "I love you, too."

Looking for someone to bail us out won't help. And dodging the question with a thank you seems iffy.
>>
Rolled 8

[X] "I love you, too."
>>
Rolled 19

>>20924164 Last minute change to [X] "Thank you, Chiyo."
>>
Rolled 13

>>20924036
>[ ] "Thank you, Chiyo."
>>
Rolled 4

[x] "I love you, too."

Agreed with the sentiments of >>20924136
>>
Rolled 8

>>20924151
Maybe we still can pull of the Han Solo...
Only way to find out is the [ ] "I love you, too." route and the dice being high enough!
>>
Rolled 2

>>20924036
[ ] "Thank you, Chiyo."

Anon-kun? More like Hanon-kun.
>>
>>20924036
>[ ] "I love you, too."
>>
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Rolled 9

>>20924036
>[ ] "Thank you, Chiyo."

Sure is samey in here.
>>
Rolled 9

>>20924036
>[X] "I love you, too."
>>
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You look Chiyo in the eyes. "I know." You see Roslyn shift around in her seat out of the corner of your eye. You glance at the girl, and you notice she's gazing at you, a small, knowing smile on her face. It's almost perfectly timed to your response to Chiyo. She notices you looking at her, and her faces goes crimson as she averts her eyes, staring out a window. "Thank you, Chiyo." You gently rub the girl's hand as it rests upon your own, and you close your eyes.

The rest of the drive back is relatively quiet. You hear a few words being exchanged up front between Tadashi and Crossfire. "...Pasta for dinner." You realize it's Crossfire talking. He seems so disconnected from everything that's happened, as if it's all the norm.

"That might be good," Tadashi replies. "Spaghetti, maybe?"

"What did you call m -- oh, yeah, maybe." You see Crossfire shrug. "We'll see." Eventually, the van slowly comes to a stop, and Crossfire turns around to look at you. "Here's your stop."

"Eh?" You arch a brow at him.

"Your house. We're here." You glance out the window and see your house. "Get some rest, boy-o. You deserve it." The door opens and you are ushered out of the van. "Go on, Miyuki. You too." She climbs out as well, and you see Roslyn and Chiyo staring at you, almost longingly. "Catch ya a bit later, boy-o." The door closes, and they drive off, leaving you standing there next to Miyuki.
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"What was he calling you?" Miyuki asks. "Boy-o?"

"I didn't even realize he was speaking English," you comment, a bit out of it. You walk up to the door and open it, letting Miyuki head inside. You, though, aren't entirely sure what to do. You're tired, both physically, mentally, and emotionally. Despite that, you're still riding the wake of the adrenaline rush from earlier. You get yourself a glass of water and stare at the refridgerator.

[ ] Get some sleep.
[ ] Try to do homework.
[ ] Spend time with Miyuki to forget about today.
>>
>>20924887
[X] Spend time with Miyuki to forget about today.

Jokingly tell her that she shouldn't bother waking us up early tomorrow for working out.
>>
Rolled 9

>>20924887
>[ ] Spend time with Miyuki to forget about today.

Deserve some relaxation. Not having to do anything sounds really good.
>>
Rolled 2

[X] Spend time with Miyuki to forget about today.

Some tender time will help
>>
Rolled 20

>>20924887
[ ] Get some sleep.

You're not Sora, I don't have anything to say to you.
>>
Rolled 20

[x] Spend time with Miyuki to forget about today.
>>
Rolled 3

>>20924036
>[ ] "Thank you, Chiyo."
>>
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Rolled 6

>>20925083
>>
Rolled 8

[ ] Get some sleep.
>>
Rolled 12

>>20924887
>[ ] Spend time with Miyuki to forget about today.
>>
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You take your glass of water and head into the living room, sitting down on the couch next to Miyuki. She's relatively quiet. "Everything alright?" you ask her.

"I guess so," she replies. "I'm just really tired."

"Me too," you say, setting your glass on the coffee table and stretching. "I'm exhausted, actually." You leave it at that as you sink further into the couch, trying to forget earlier. To forget the dogtags that you feel digging into your leg through your pocket. Why did you take them? It was stupid to do that.

"We should probably go to sleep, then," Miyuki suggests. "I think we've both had enough excitement for a couple days. I think we can take a break from the usual routine, too."

"Really?" you ask. You were going to suggest that jokingly, but...

"No, I'm kidding." You hang your head in despair, but then she pokes you. "No, in all honesty, we can relax a little bit. See what hapens." She stands up and stretches before heading upstairs, leaving you behind. You finish your glass of water before heading up after her, and when you open your door, you see her spraweld out on your bed, wearing her underwear and one of your shirts. She looks like she's completely gone. To get into bed, you'd have to shift her around and risk waking her up.

[ ] Sleep on the floor
[ ] Slip into bed and try to avoid waking Miyuki
>>
Rolled 2

>>20925590
>[ ] Slip into bed and try to avoid waking Miyuki
>>
Rolled 9

[X] Slip into bed and try to avoid waking Miyuki
Summon all the stealth you can
>>
>>20925590
>[ ] Slip into bed and try to avoid waking Miyuki
>>
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Rolled 20

>>20925590
[ ] Sleep on the floor

A gentleman does NOT disturb the sleep of a lady.
>>
Rolled 11

>>20925590
>[ ] Slip into bed and try to avoid waking Miyuki
>>
Rolled 19

[x] Slip into bed and try to avoid waking Miyuki
>>
>>20925590
[X] Slip into bed and try to avoid waking Miyuki

Nothing, nothing can keep us from sleeping where we ought to sleep. In our own bed.
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Throwing good sense to the wind, you decide to attempt a covert insertion, desiring the comfort of your own bed opposed to the cold sensation of the floor. You ditch your shirt and quickly change into shorts before climbing into bed, gently shifting your weight to prevent any sort of disturbance. You manage to lie down behind Miyuki without alerting her, so you steal some of the covers and close your eyes, drifting off into sleep.

Blackness. It's accompanied by a sensation that could only be considered comforting. Your body feels much better, and you open your eyes. You're in a white room, and it's difficult to get your bearings, as the floor, walls, and ceiling are all featureless. Your depth perception is completely gone, and you can't help but close your eyes for the briefest of moments. When you open them again, you're actually able to tell where the walls end. You start wondering about Miyuki, considering she was the last person you saw before you fell asleep, and she materializes in front of you.

"Hi, Anon-kun," she says happily. "What's up?"
>>
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"Uh... Nothing," you reply, a bit confused. "Where did you come from?"

"Eh?" She tilts her head inquisitively.

You start to explain, but she vanishes before your eyes. "The hell is this?" You start wandering around, confused, and then you start thinking about the incident in the car, and then Chiyo appears in front of you.

"Anon-kun!" She tackles you to the ground and snuggles to you. "I've missed you so much." She's really getting touchy-feely with you, which is the opposite to what you're used to.

[ ] Augh! Get off meee
[ ] Hi hi Chiyo
[ ] What are you doing here?
>>
>>20926468
[X] What are you doing here?

"So this is a dream. When you wake up could you send me a text saying 'puppies' just in case this is a shared one."
>>
Rolled 8

[ ] Augh! Get off meee
>>
Rolled 17

[x] Iya~~n! Get off meee
>>
Rolled 19

[X] Hi hi Chiyo
>>
Rolled 6

>>20926468
[ ] Augh! Get off meee

Back to the vile hole from whence you came!
>>
Rolled 6

>>20926468
>] What are you doing here?
>>20926492
Agreeing with this
>>
Rolled 19

>>20926468
[X] What are you doing here?
>>
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Rolled 18

>>20926468
[ ] Augh! Get off meee
>>
Rolled 17

>>20926468
>[ ] What are you doing here?
>>
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Rolled 1

>>20926468
[ ] Augh! Get off meee

Also, since we're all here...
>>
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"Augh! Get off meee!" you cry out instinctively. Chiyo pulls back and looks at you, curious. "Why'd you jump me like that?" you ask.

"Because I missed you. I said it twice, so it's important," she says with a smirk.

You shake your head. "I don't understand." You notice she's just in a large t-shirt, and that's when you notice her panties. You briefly think that, because you're both here, you should take off your pants. Instantly, your pants are gone, and you're sitting on the floor in just a shirt and boxers. A shirt? You weren't wearing a shirt when you went to sleep... And then your shirt vanishes, and you're sitting there in just your boxers in front of Chiyo.

"Oh Anon-kun," she says, blushing. "I didn't realize you wanted things to be like that..." She sighs, content. "If it's you, Anon-kun..." She starts to take off her shirt.

You throw your hand up, covering your eyes. "N-no, that's not what I..." You stop and look, and she's completely gone. You're the only person sitting there. "Wow," you mutter. "What would Roslyn say if she saw me like this? Geez."

"A-A-A-A-Anon-kun," you hear from behind you. You turn around and see Roslyn standing there, her face completely red. "What a-a-are you doing?"

[ ] Imagine clothes on yourself
[ ] Imagine Roslyn in a unique situation
[ ] "What are YOU doing!?"
>>
Rolled 5

[ ] Imagine Roslyn in a unique situation
>>
>>20927088
The only answer now that we control the spice. We control the universe
>>
Rolled 10

[X] Imagine Roslyn in a unique situation
With a shoe on her head preferably
>>
Rolled 1

>>20927062
[X] Imagine clothes on yourself

Roslyn, are you a figment of my imagination or are you really you?
>>
Rolled 15

>>20927062
>[ ] Imagine Roslyn in a unique situation
>>
Rolled 13

[x] Imagine Roslyn in a unique situation

Lost in the land of spice and the ability to manipulate anything to his will, Anon goes on a roll.
>>
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Rolled 14

>>20927062
[ ] Imagine Roslyn in a unique situation
>>
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You can't help but imagine a shoe on Roslyn's head, and that's when her left shoe vanishes from her foot and appears precisely where you imagined it. "Ehhhh!?" You can't help but laugh at the situation, and you realize what's going on. You really do have complete control right now. It's amazing. "What are you laughing for!?" Roslyn shouts.

"This... It's just so weird." You stand up and approach her. "I mean, this must be a dream. There's no other explanation. Though I'm dreaming, I know what's going on, and I can imagine something, only to see it manifest in front of me." You shrug. "Lucid dreaming is the best dreaming."

"Lucid dreaming...?" Roslyn sits down and starts to ponder. "Does that mean I'm dreaming, too...?" When she asks that, the scenery of the entire room changes in an instant. You're in a bath house, and you're in a tub, your back against something soft. You turn around and see Roslyn's back to you. You're sharing a tub with her, and you didn't even think of this, which makes you wonder if you really are pulling the girls into your lucid dream. She looks as if she's blushing really hard, but you aren't sure since you can't turn all the way around to see. She does seem really tense, though, so maybe she's trying to hide it.

[ ] "Roslyn...?"
[ ] "This is definitely nice."
[ ] Poke her to get a response.
>>
Rolled 17

>>20927440
>[ ] "This is definitely nice."
>>
Rolled 7

[X] "This is definitely nice."
>>
>>20927440
[X] "This is definitely nice."

"I'd like to confirm that my psyche isn't playing a prank on me. When you wake up could you text me a random phrase, say 'the potato woke up', to make sure that we're dreaming the same thing."
>>
Rolled 15

[x] "This is definitely nice."
>>
[x] "Roslyn...?"
>>
Rolled 10

>>20927440
[ ] Poke her to get a response.

She's so cute when she blushes, how can I not?
>>
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"This is definitely nice," you say quietly. It really is, too. The water is warm enough to soothe your body, and it's as if all the tension built up over the past two weeks melts away. You are careful not to broach the idea that it was Roslyn's thoughts that arranged for the two of you to share this bath, for fear that it might shatter the moment of peace.

"...Anon-kun?" Roslyn asks.

"What is it?" you respond.

Her only response is silence for the longest time, or what feels like the longest time. "...I-it's nothing. Don't worry about it."

You frown, but you don't push the matter for the time being. Instead... "Hey, Roslyn?"

"Yeah?"

"Could you, maybe, do me a favor?"

"What?"

"I'd like to confirm that my psyche isn't playing a prank on me... When you wake up, could you text me some random phrase, like, 'the potato woke up,' to make sure we're both experiencing this?"

"Yeah... I'll do that."

"Thanks." Almost immediately, the scene in front of you pops, and you're no longer in the tub with Roslyn. In fact, she's gone completely, and you're standing in the same white room from before, fully clothed and alone. "Damn..." You sigh and look around the featureless room again, unsure of what to do.

[ ] Try and bring Chiyo back
[ ] Try and bring Miyuki back
[ ] Try and bring Roslyn back
[ ] Try and bring Sayuri in
[ ] Try and bring Sora in
[ ] Do something different {user input}
>>
Rolled 14

[X] Do something different {try to bring Tempest in}
>>
>>20927798
[X] Do something different {user input}

Summon all the girls. Also summon a pipe, a nice comfy lounge that smells of mahogany and port.
>>
Rolled 16

>>20927798
>[ ] Try and bring Sora in
Haven't seen her in a bit. Also being able to bring her in might indicate she has something we need to watch out for...
>>
>>20927846
I forgot the smoking jacket. We need a smoking jacket if we're doing this.
>>
Rolled 16

[x] Try and bring Sora in
>>
>>20927831
Ballsy motherfucker. I like it.
>[X] Do something different {try to bring Tempest in}
>>
We can do next to ANYTHING, and you just want to bring in the people we see every day? Why not at least do something awesome like try to train our reflexes by simulating Touhou in our heads or generating simulacra of fictional characters? Or if you want to bring people in, pick someone awesome like - I dunno -

[X] Do something different {try and bring Norio Wakamoto in}
>>
>>20927947
I was mostly joking here, but seriously, we don't want to tip our hand by displaying some kind of newfound ability right after we've discovered it to our enemies of all things.
>>
Rolled 12

[ ] Try and bring Sora in

Because....do I even need to explain myself at this point?
>>
Rolled 7

[x] Bring Sora In
>>
You close your eyes, and you're standing there, wondering about everyone, and then you consider Sora. You wonder if you could somehow bring her into this dream, but then you wonder about how the other girls appeared in the first place. It's definitely an interesting thought, and you realize it might be due to fact that you know they all have a Mobile Gear. You realize, then and there, that there's almost no way Sora could just appear in your dreams like that. You open your eyes and you see the location had changed. Instead of being in a giant white room, you see you're standing in a courtyard of some impressive looking house.

You look around quickly, trying to get your bearings. Nothing looks familiar to you at all. You try to imagine the white room again, but nothing happens. Starting to panic, you start imagining your house next, but nothing happens. "Eh?" You try to imagine Roslyn next to you, but she doesn't appear. You try Miyuki next, and you are rewarded again with nothing. Chiyo, Sayuri... Nothing. No one appears when you try to imagine them.
>>
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You can't help but wonder if, maybe, you went from being in control of the dream to being out of control. You know you're still dreaming, after all, so it's still lucid... But something is off. You explore around the courtyard and eventually you see a fountain off to the side, and a raven haired girl standing before it. She turns, revealing her face, and you recognize Sora immediately. She doesn't seem to notice you, though.

She starts to wander off into a forest you don't remember seeing, and you rush after her without thinking. Soon, you find yourself lost amid the trees. You spend what feels like hours looking for Sora, but find nothing, so instead you focus on trying to find the exit. When you eventually stop, you see Sora standing in front of the same fountain you saw her before earlier.

[ ] Approach her
[ ] Observe her
[ ] Ignore her and try and wake up
>>
Rolled 18

[ ] Observe her
>>
Rolled 20

[X] Approach her
>>
Rolled 8

>>20928244
>[ ] Approach her

We wanted to see her, and there she is. might as well see if she can interact as well.
>>
Rolled 2

[ ] Approach her

Our interactions have proven that being passive is often the best way to deal with Sora. Play it safe here.
>>
Rolled 11

>>20928278
[ ] Observe her

Oops, wrong one.
>>
>>20928244
[X] Approach her
>>
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Rolled 3

[ ] Observe her

Don't interrupt the serenity.
>>
Rolled 19

>>20928255
>>20928283
>>20928321
You sure you want to let this chance go?
>>
Rolled 8

[ ] Observe her
learn 2 kuudere fellas.
>>
Rolled 11

Changing to

[ ] Observe Her

If she CAN see him, chances are she has noticed him already. We also don't want to have her react like Anon did to Chiyo earlier.
>>
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You hold back and merely observe her as she wanders around the fountain. She sits down, back to you, and produces a notebook -- presumably the one she uses all the time -- and begins to write. It's somewhat amusing to think that she's writing even when she sleeps, which only shows the dedication she has to her story. As you're observing her, a gust picks up and literally tears the notebook apart at the seams, sending pages flying everywhere. She jumps to her feet and tries to scramble to gather them as fast as possible before they're seemingly lost forever, but as it would have it, she misses a few pages.

That's when you see the other people walking by, as if the two of you were in a crowded area the entire time. Passers-by not giving her the time of day or offering to help, each person absorbed in their own little world. You realize that this is probably how she perceives everything on a daily basis; no one caring for a stranger unless it's a means to an end. A few pages fly by you, and they're easily within arms' reach. You have time to grab them, but if you don't, they'll land in the fountain and quickly become drenched.

[ ] Try to grab them
[ ] Leave them be, hiding your presence
>>
Rolled 10

[ ] Try to grab them
now is our time to act. but don't read the pages
>>
>>20928410
[X] Try to grab them


It'd be rude not to.
>>
Rolled 4

[X] Try to grab them

We went this far, why not
>>
Rolled 15

[X] Try to grab them

Would we ever do anything else?
>>
Rolled 4

>>20928424
Extra roll for a chance to read the pages
>>
Rolled 11

>>20928410
[ ] Try to grab them

Use your dream powers to will the notebook back into one piece.
>>
Rolled 10

>>20928410
Only the worst kind of asshole would ignore her plight.
>>
Rolled 18

>>20928452
[ ] Try to grab them, I mean, of course.
>>
Rolled 16

>>20928410
>[ ] Try to grab them
>>
Rolled 17

Rolling again to attempt to figure out the grapple rules.
>>
>>20928474
Don't try too hard, I hear they work off of matrices.
>>
>>20928474
>>20928484
2deep4me
>>
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You move your feet, reaching out to grab the pages before they become ruined. With them in your hand, you approach Sora, holding them out for her. "You dropped these," you say quietly, calmly.

She looks up at you from the ground and slowly rises to her feet. At first she looks confused, as if she doesn't believe what she's seeing. "Thank you," she says, adding them to the stack of papers in her other hand. She still looks confused, but the tone of her voice doesn't betray that. "What are you doing here?" she asks.

"I was in the neighborhood," you say with a small shrug. "I saw you were having trouble, and no one was helping you, so..."
>>
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"Really..." She starts to say something, but she stops when a bell rings throughout the courtyard. "Oh no," she says under her breath. "Father is home." It's the first time she's ever really betrayed any sort of emotion, but the fact it's fear bothers you. "I have to go -- no, you have to go." The rest of the people in the courtyard are gone, as if they were never there. She starts to literally turn you around and push you out of the area. "I would rather you not be here when he comes out here."

You start to ask her why, but the bell rings again, and she lets go to hurry back to the house. You turn back around, and she's gone, as is the house. The one thing remaining, however, is the fountain. Sitting atop the centerpiece is a smooth, glass-like orb. You look at it curiously, and just when you see the symbol in the center, you wake up.
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>>20928634
I vote she gets 'taken home' next time we see her. WE're currently dealing with one person with an abusive father what's one more?

Also thanks for the fun op
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>>20928634
Yup, she turns into a car.
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>>20928653
no problem. glad you enjoyed it.
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Rolled 1

Commence operation Rescue Sora next!


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